I’m not going to launch a critique of the 6.2 banana incident — Instagram commenters have taken care of that for me already.
What I want to get into is the seeming loss of traditional values in the arts and the elevation of performance, ego, and money above those things that have always sustained the arts: history, technique, standing on the shoulders of giants, color, shapes, drawing, light. Let’s take Basquiat, the soaring symbol of New York street art breaking through into the fine arts world in the 1980s for example. He was grounded in technique. Often erroneously, people look at his work and think his graphic scribbles were lucky strikes (or strokes). Nothing could be further than the truth. As every abstract artist who has a decent teacher in art school knows, abstract artists are regularly told that their path to improving their abstraction lies in improving traditional drawing skills — human anatomy, life drawing, perspective — and realism. In other words, to be abstract, to be conceptual, or to be a street artist — the truly excellent work twice as hard and do twice as much, conquering both classical realism and the methodologies of abstraction or their field.
Basquiat began drawing in New York museums at the age of 6 and studied human anatomy. His work was soaringly popular immediately because it rested in something. It was part of a tradition, a legacy, and stood in that legacy to create something new that had never been done.
That’s talent. That’s art. That’s the creative life.
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